Carla M Fox Metalsmith

Today it’s sunny and Spring-like outside. Its hard to be inside the studio. But when I go outside to walk the dog and enjoy the weather I get all sorts of great ideas and I want to curtail my walk to hurry back to the studio. No pleasing me.

I am working on some pieces I’m excited about. So like the kindergartener I am. Here’s my show & tell for the day.

Unless otherwise noted this are my quick photos of the work. My photographer does a much better job.

First I took my new favorite shape, the Zoa, and made it larger, and worked it on to a simpler, more elegant neckwire. Its hung on 3 strands of stainless steel wire. The hook & eye closure is made to go with the pendant. This particular pendant went home with a wonderful sculptor in Bellevue. I delighted she saw and loved it. Some pieces find the right home quickly.

Zoa multi-strand Pendant

And while I was at it, I made another Zoa pendant into a box clasp. Or a box clasp into a Zoa pendant. This a new direction for my usually rectangular box clasps. I love these white fresh water pearls.

Zoa box clasp & fresh water pearls

This box clasp lead to another idea. What if I made multiple shapes and attached them all together. Would that work?

I think so.

Mookaite Jasper with Circles box clasp

The stones in this necklace come from Australia. One doesn’t see Mookaite often but I’m quite fond of it.

All these pieces can be seen live and in person at my next show in Scottsdale, Arizona. Come by, say hello, and mention you read this blog and I’ll give you a gift and maybe a hug.

For years I have tossed around an idea of making a series. I like the idea of a defining set of parameters within which you design and execute your art. I think it leads to something new and wonderful, though I’m not sure what. And I like that “not-sure” part.

Poetry is full of tightly limited creations. The sonnet is a poem of 14 lines with a formal rhyme scheme, and usually 10 syllables per line.  There’s not a lot of leeway to branch out. Yet English literature is filled with amazing poetry in sonnet form. The Japanese haiku (a poem of 17 syllables, in 3 line, of 5, 7, and 5) with a nature theme is something all children have worked on in schools often with delightful results. And of course, limericks are a wonderful example of how rigid limits can push creativity and humor to new and glorious heights.

Throughout history visual artists have also used a set of rules to corral and then turn-loose their creative muse.

Monet had his hay stacks.

Jim Dine-a contemporary painter, has a series on bathrobes and hearts.

Recently a friend, painter-Marla Baggetta, completed a series of 100 images of the same scene. It was her series that reinspired me to again look at doing a series.

Craft artists have also done series.

Pat Flynn has done a series of heart pins.

And one of my favorite series is Kiff Slemmons, Insectopedia. A series of bug pins, based on the alphabet. K is for Katydid.

Carla

Like everyone else I sometimes have a hard time getting focused and getting going. Life happens and when your work is in your home, life interferes with work. I’m a great believer in my ability to multi-task, but sometimes it just leads to me bouncing around like a ping-pong ball getting a little done.

Metalsmithing requires focus and attention to details. A casual moment can undo hours of work as an over-heated piece falls apart (or melts!) under a too hot torch, a careless saw cuts a kerf into a carefully etched surface, a sanding disc is allowed to go too far.

When I get to this place I need to stop trying to do many things at once and refocus. As I retreat to my studio and sit at my bench more often then not, my thinking is still scattered  and I have no idea where to start. Things seem either too easy and simple or too complex to work on until I get my brain working. What to do?

I recently decided that the best thing I can do at this point is to start making box clasps. Technically box clasps are fairly difficult, but I’ve done enough to be fluent in them. I know each step, how to do it, what order to do them in. Making them challenges my skills as a metalsmith, with the precision, cutting, soldering, measuring, filing; but I know what to do and have no questions as to sequencing, what temperature solder I need, what the pitfalls are. Making box clasps brings me back together and centers me on the here and now.

All the intricacy and detailed labor of the box clasp is hidden on the inside. My version of the clasp is actually a box within a box. I was taught to make a tight precise fit to insure years of trouble free wearing. It is more time-consuming but ultimately produces a clasp that will last indefinitely and never release unexpectedly. It makes me proud every time I sell one as I know its a special item with a great deal of my efforts and thought put into each clasp.

Below is the very condensed version of the making of a box clasp plus a peek at its inner workings.

1. The inner box is made & a slot carefully filled to accept the tongue of the clasp.

2. The tongue with the trigger is soldered and carefully filed and fitted to the box.

3. The etched sterling top deck is soldered in place and a the slot for the trigger is pierced & filed into a tight fit. This photo shows the box within a box, part of this clasp.

4. Once the bottom plate is added the tongue continues to get refined so it has the pleasing and important “CLICK” when it is fully engaged. Then the findings are soldered on, it is thoroughly cleaned, and is ready to be patinaed and added to a necklace.

5. Finally the clasp becomes the central part of a necklace. In this case a rough cut carnelian necklace with yellow turquoise. Its ready to go to a client.

“I so admire how creative you artists are. Where do you get your inspiration?“

…..waiting for inspiration

Good question. Every time I am asked that question I am flummoxed. Inspiration is a tricky thing. When I am very lucky, or very good I walk into just the right spot in my studio and ZOT! a truly great idea comes to me in a flash. The 3 rings in my top banner were a marvelous Zot moment.

My friend and fellow jeweler, Jack, challenged me to get over my prejudice to diamonds. I’d always thought they were over-hyped, stupid stones, boring, transparent, clear, no color; plus there are millions of them around.  Bah humbug, who needed them when there are so many other fine stones in the world. But Jack nudged some of my thinking around and I started relooking at diamonds.

My main gripe with diamonds is that much of the jewelry made with them, makes it all about The Diamond. I am a metal worker. I want my work to be all about well… My Work and the diamond’s just a punctuation to my designs.

My 3 rings above came from this double-dare of Jack’s. The idea formed in a quick moment of insight, fully-developed. I even found some colored diamonds to use. Bliss. I regularly thank him for his goading.

But mostly my designs are hard fought.

Jetsam & Flotsam

I am currently working on a design I know isn’t that good. But the damn thing will not vacate my head until I make it. I know it will end up in my scrap pile…I have days like this. Its like clearing a plugged drain. Once I have design out of my head and at least partially realized I can go on to other things. I have a whole pile of dumb ideas that I poke at from time to time, trying to figure out why I made them. And sometimes they lead to inspiration, often not.

Usually my designs are evolutions from past work. No Eurekas! just hard slogging work. I make something like it or love it, look at it, start to examine it, think about it, and have a better idea of how to do it next time. This drives Dave-the-husband crazy. Why must I keep messing with great designs?  Why do I move on to my next NEW IDEA, when I have so many old great ideas I can still make? I  dunno. I think that’s what it means to be an artist. We are always looking ahead to see what’s there, how we can do it better, how it can change, evolve, morph into something else.

So when I go back to work, and I do find its work; divine inspiration is a rare event, no matter how good I am, or how many different places I stand in my studio waiting for it to happen.

Carla

What do guys like, want, wish for in jewelry?

I currently have a friend, P, who is bugging me for Man Jewelry. I’d love to accommodate him and the other men who have stared wistfully in my case and asked….”Do you have anything for men?” No…..I don’t, but I should.

What is it guys want in jewelry? Cuff links, quirky lapel pins, bracelets, pendents, single earrings, manly rings?

P is now pondering this question. He hasn’t answered me yet. But for all the other men who feel left out of the jewelry game, the question is now yours too. What would you like to see me make for men? Write me, let me know. The first Manly piece I make will be named for the Man who gives me the best answer.

Carla