Carla M Fox Metalsmith

Every once in a while someone comes into the booth, regards my jewelry and asks, “Are you making this with pmc?”  NO, NEVER!!!! I want to shout, but I gulp and moderate it down to, “No, all my work is sterling silver and I do my own etching.” Now if they are really foolish they will gaze again at my work and particularly my box clasps and tell me I should use pmc. I am usually less moderate with my next answer.

But what is PMC and why am I not happy when asked if I use it and even less happy when told I should use it? It is precious metal clay that is fine silver suspended in a clay medium. It has a great appeal to hobbyists and people without technical metalsmithing skills. I am neither. Once a piece is made in pmc it is fired and becomes (if done correctly) fine silver. I have “issues” with pmc but that is for another blog entry. Today it’s about what I do to get the etched patterns on my pieces.

First, I always work in sterling silver because of its strength and its ability to accept patinas. Fine silver is not a strong metal and it won’t take a patina. Etching sterling involves a vile chemical process that I have worked long and hard to perfect, plus it’s just plan hard work. Stamping a design on a piece of  metal clay is easy. Etching is a several day process.

Because of the time involved I always do several sheets of sterling silver at one time. This means it’s expensive too, so I go slowly as I don’t want any mistakes. I do have sheets of etched silver that are just downright ugly and unusable. I have learned. My etching starts long before I ever don my acid gear and put on a respirator. First, I must create patterns that I want to etch into the sterling. This usually involves many drafts and finally I scan the final version into my computer where I employ both Photoshop and Illustrator to clean up the final artwork.

Raw artwork before cleaning  it up

Applying resist to sterling

I transfer that artwork  to a resist… something that the acid (or in my case ferric nitrate) cannot eat through. This step is perhaps the most important, as a good resist makes  a good etch. Once made the resist is carefully applied to my sterling sheets. If I should stop here and drop the metal in the ferric nitrate it would eat out what is unprotected, including the back of my sterling sheet. The next step is to protect the side edges and back of the pieces.

Then it is outside to set up the actually table and hardware to etch. Because of the nature of the chemical it is best to etch under a fume hood. I have none. I etch outside. This is sometimes a dilemma for me. Once the day I picked was the first over 100° day of the season. I stood outside in it all day in heavy acid gear. Another year it was cold and damp. Spring or Fall are my favorite seasons to etch, but I seem to run out of material in the winter and summer.

Me in my etching gear

Here’s me in my chemical gear and my etching set-up, on a moderate February day. I etched 8 sheets and it was a day long process, just to do the etching. The prep work was another day. But in the end it was all worth it. I have the etched sheets that I can make into wonderful jewelry.

My etching set up

Finished etch on the sterling

A box clasp made from the etched sterling

And in case you are worried about the vile chemical that I am using. It is a salt, a component in fertilizer,  and I always keep track of it until I turn it over to the folks at the dump to depose of correctly.

Etching sterling silver is a long multi-step process. But I like doing it. I can put my own artwork in the metal, I love the varied textures, and it makes my work more personal, more a part of me. Its one of my hard-learned skills that I am proud to share and add to my jewelry.

I love Scottsdale, Arizona! Though we are back in the studio after a whirlwind trip to the southwest, we are still relishing our time there. We drove like demons to get there, had a grand time, and drove 2 long 12-hour days home, no time for site seeing this trip. The only blessing in this trip is we travel east of the Sierra. Its an incredibly beautiful side of California.

But in between the butt numbing driving, we were in heaven. We stayed with friends in their fully restored mid-century modern home. They are landscape designers so the house is a joy of great design both inside and outside. It was our own personal resort with wonderful hosts, who cooked for us and even did laundry! We were taken on a post show hike in the desert to work out the cricks before we had to climb back into our van for the 1250 mile trip home. This is a rare treat when your guides are so knowledgeable about the desert plants.

When not at our “resort” we were at the show where our booth is always an easy set up and take down. The Scottsdale show is set in a lovely park area, though we choose to stay in the parking lot. We love our “hood” as there are always great friends there as well as new friends to meet in our fellow artists. The weather this year was perfect! Not too hot, or cold, no winds, or rain.

But the best were our customers, both old and new. To quote Sally Fields, “You like me, you really really like me!” As an artist there is a lot of me in each of my pieces. I have spent much time designing, picking the right stones, pearls, walking away-coming back, redesigning, fabricating, finishing each of the pieces. Every time a piece of jewelry walks out of my booth with someone, it is a thrill. Customers take a little bit of me with them and I am always honored with each purchase. Eeeuuww, Enough! I’m getting sentimental.

What’s next? Well, what isn’t next? More commissions to complete. Some old, some new. The show we help organize in Bend, Art in the High Desert, is inviting artists for this year’s show. I must send out invitations, and “sorry you’re not invited”to 438 artists. Always an exciting time as well as sad, as I know how it feels to not be juried into a show. And our weather is springlike, so it’s hard to stay inside. We want to try at least one more cross-country ski day before we dig out our road bikes and declare winter over.

Happy Spring top everyone.  Keep in touch.

Today it’s sunny and Spring-like outside. Its hard to be inside the studio. But when I go outside to walk the dog and enjoy the weather I get all sorts of great ideas and I want to curtail my walk to hurry back to the studio. No pleasing me.

I am working on some pieces I’m excited about. So like the kindergartener I am. Here’s my show & tell for the day.

Unless otherwise noted this are my quick photos of the work. My photographer does a much better job.

First I took my new favorite shape, the Zoa, and made it larger, and worked it on to a simpler, more elegant neckwire. Its hung on 3 strands of stainless steel wire. The hook & eye closure is made to go with the pendant. This particular pendant went home with a wonderful sculptor in Bellevue. I delighted she saw and loved it. Some pieces find the right home quickly.

Zoa multi-strand Pendant

And while I was at it, I made another Zoa pendant into a box clasp. Or a box clasp into a Zoa pendant. This a new direction for my usually rectangular box clasps. I love these white fresh water pearls.

Zoa box clasp & fresh water pearls

This box clasp lead to another idea. What if I made multiple shapes and attached them all together. Would that work?

I think so.

Mookaite Jasper with Circles box clasp

The stones in this necklace come from Australia. One doesn’t see Mookaite often but I’m quite fond of it.

All these pieces can be seen live and in person at my next show in Scottsdale, Arizona. Come by, say hello, and mention you read this blog and I’ll give you a gift and maybe a hug.

I have a new future son-in-law. And, his family!

I went to Bellevue, Washington to sell jewelry at the Induge show (and I did!). But even better, my dear dot and her honey announced they are engaged. Since I love this guy, and he’s a mapophile like me always willing to talk topo maps, gps coordinates, section corners, etc its a real bonus to wrap him into the Fox family. Oh yeah he’s a great match for Sarah.

And after much worrying through Sarah’s pre-school years I am delighted that his family is wonderful! Hooray!  (Am I the only one that looked out on the world of my dear 3 year old daughter and hoped she wouldn’t marry into that family, because I was sure I didn’t wanted to be related to those parents? Well, no need to have worried. She didn’t.)

This is our first addition by marriage to the family so if I’m a bit over-excited by it, that’s  why.

Sarah & Gardner, Seattle Feb 2010

Now its back to work for the next show. Scottsdale 2010. I bought some killer earring cabs from my stone dealer yesterday. Be looking for them at the show and in the website gallery.

I’m currently getting ready for a rare February show. Rare because short of traveling to Florida there are few to none shows in the Pacific NW in the winter. But the Bellevue, Washington Art Museum folks (who also put on the Bellevue Museum Art Fair) have started a new show, just for jewelry: Indulge. Held a week before Valentine’s Day it promises to be great fun. Plus the dot, Sarah is also one of the participating artists.

I’ve known about this show for months. I’ve known I need to get my inventory up after a very successful last show. So why am I now in the last few weeks working like crazy to build up my inventory when I could have done it at my leisure for several months? This seems to be a common thing for artists. While I beat myself up for not doing all things earlier, I wonder about this. And I’ve come up with a reason…that satisfies me for now.

For me, it takes a while to get into the groove of creating. Its a state of mind and will, and frankly once there its all-consuming. The rest of the world must wait while I create. It is not something I can switch on and off; I’m more like the little engine that could. It takes me a some time to get rolling.

I know Dave-the-hub, as well as myself would be much more relaxed if I did not approach work this way. But after years of trying to break out of this habit, I’m still in it. This seems to be an artist thing. Many friends complain of the same syndrome.

Our house is now adrift in the flotsam and jetsam of a show. We’ve pulled out the display pieces to sort and repair. Our old boxes have cracked and Dave purchased new purple ones to carry our traveling retail store from place to place.

Dave & the display pieces & the dining room table.

New purple boxes

The dog wanders amongst the piles. She’s seen it all before. Her favorite thing is that she gets to sleep in the clean laundry that is not getting folded and put away.

Marley in the clean towels

And so it goes. I don’t know whether I should be worried that I can’t compartmentalize better so I can jump from task to task. Or I should thank my lucky stars that I can focus like a laser when I need to.

There are bizillions of blogs out there. And while I don’t think mine will be turned into a movie, I do like to think a few people are reading it.

My web guru has added a feature to make it easier for you to receive my blog. Up there on the right top of my page you will see this:

Click on it, fill out the form, and my blog entries will be sent to your mailbox when I post them. You can easily unsubscribe.

See you soon in your mailbox.

Thanks.

Look what happened while I was gone. A new decade has rolled over. I for one am happy to see this. The old decade was a hard one.

There can be only 2 reasons for such a long lag between posts on a blog. The writer has been to busy to post, or the writer has had nothing to post about. Fortunately I claim the former. October seems months ago…actually it WAS months ago. I could plead the rush of the holidays but that seems too easy.

My energies have been scattered as I’ve been working on multiple projects. My jewelry, commissions, Art in the High Desert, taking a class in Illustrator, making inventory for a gallery,  of course all the end of year celebrations, and my favorite-cross country skiing.

What’s up next? In February, I will be at a wonderful new show in Bellevue, Washington: Indulge.  Sarah the dot, will be there too with her wonderful metal and felt jewelry. I’ve been working on some “man” jewelry in the form of cufflinks. I will be posting these on the site soon.

Here’s to a brand new clean decade.

For years I have tossed around an idea of making a series. I like the idea of a defining set of parameters within which you design and execute your art. I think it leads to something new and wonderful, though I’m not sure what. And I like that “not-sure” part.

Poetry is full of tightly limited creations. The sonnet is a poem of 14 lines with a formal rhyme scheme, and usually 10 syllables per line.  There’s not a lot of leeway to branch out. Yet English literature is filled with amazing poetry in sonnet form. The Japanese haiku (a poem of 17 syllables, in 3 line, of 5, 7, and 5) with a nature theme is something all children have worked on in schools often with delightful results. And of course, limericks are a wonderful example of how rigid limits can push creativity and humor to new and glorious heights.

Throughout history visual artists have also used a set of rules to corral and then turn-loose their creative muse.

Monet had his hay stacks.

Jim Dine-a contemporary painter, has a series on bathrobes and hearts.

Recently a friend, painter-Marla Baggetta, completed a series of 100 images of the same scene. It was her series that reinspired me to again look at doing a series.

Craft artists have also done series.

Pat Flynn has done a series of heart pins.

And one of my favorite series is Kiff Slemmons, Insectopedia. A series of bug pins, based on the alphabet. K is for Katydid.

Carla

Normally this time of year I am in Portland, Oregon at the Local 14 Show & Sale. This year I am not. For all those who are concerned it is because of something bad I assure you it is not. It is because of something good! I had a terrific show at Art in the Pearl, in Portland. I have very little inventory left.

I had September to restock after Art in the Pearl, but September was booked with other business that kept me from my workbench. Also there was a trip to Peoria, Illinois for a show artist/director conference. I gave 2 presentations as well as learned a lot from my fellow directors. It was great fun.

Afterwards I hurried home to ship promised work off to a gallery in Austin, Texas: Art on 5th. Now I really have nothing left. My goal for the next month is to complete a bunch of commissions, enjoy Fall in Central Oregon, keep biking, and watch the snow fall in the mountains.

And a bit of random humor. Maybe my life in Central Oregon is sheltered. While traveling I encountered a vending machine that offered a wide selection of items that I had never seen before in a vending machine, together. I was going for the M & M peanuts.

Vending machine choices

Carla

I just took a friend to task for not updating her blog more often. I told her to at least “grunt” in the direction of her readers so we’d know she’s still out there, even if she too busy to post a full blown blog entry.

Consider this my “grunt.” I’m looking up photos, I just returned from Peoria, Illinois from a conference of art show directors and artists, and am getting a shipment ready for a gallery.

I’m still here and kicking and more entries to make.

Carla